In the 1978 film Revenge of the Pink Panther, the theme, and much of the soundtrack from this entry in the series, draw heavily from the disco sound of the late 1970s. Larry Bunker, Frank Flynn – vibes and percussionįrom 1976 to 1991, the theme also served as the think music for Safe Crackers, a pricing game featured on the American game show The Price Is Right.Karl DeKarske, Dick Nash, Jimmy Priddy – trombones.Frank Beach, Conrad Gozzo, Jack Sheldon, Ray Triscari – trumpets.Gene Cipriano, Harry Klee, Ronny Lang, Ted Nash – flute, saxophones.I nearly always precast my players and write for them and around them, and Plas had the sound and the style I wanted. I had a specific saxophone player in mind–Plas Johnson. All the accents in the music were timed to actions on the screen. finished the sequence and I looked at it. I told that I would give them a tempo they could animate to, so that any time there were striking motions, someone getting hit, I could score to it. In his autobiography Did They Mention the Music?, Mancini talked about how he composed the theme music: "The Pink Panther Theme", composed in the key of E minor, is unusual for Mancini's extensive use of chromaticism. It has also been used in theatrical shorts, television cartoons, commercials and other works in which the animated Pink Panther appears. Various recordings of the composition appeared in the opening credits of all The Pink Panther films except A Shot in the Dark and Inspector Clouseau. Billboard adult contemporary chart and won three Grammy Awards. The tune was included on the film's soundtrack album (originally issued as RCA Victor LPM/LSP-2795) and available as a single (in the United States) in 1964 the single reached the Top 10 on the U.S. The tenor saxophone solo was played by Plas Johnson. The eponymous cartoon character created for the film's opening credits by David DePatie and Friz Freleng was animated in time to the tune. " The Pink Panther Theme" is a jazz composition by Henry Mancini written as the theme for the 1963 film The Pink Panther and subsequently nominated for the Academy Award for Best Original Score at the 37th Academy Awards but lost to the Sherman Brothers for Mary Poppins. Mancini would probably prefer you to have the C# underneath, but you could get away with reversing the two as long as the pitches are the same.1963 song composed and performed by Henry Mancini "The Pink Panther Theme"įrom the album The Pink Panther: Music from the Film Score Composed and Conducted by Henry Mancini In this case the most important thing is to start with a C# and a G#. But C going down to G covers four letters, so it's a fourth, and so is G ascending to C. From any flavor of C rising to any flavor of G would be a fifth, because it covers 5 letters. So, the answer to your question is: no, intervals are named just according to the distance between the tones and the number of scale tones included. But you do need to keep the same harmony. In general you can change the position of any chord in music, and the effect of the change will not profoundly alter the piece except in certain cases where the identity of the root or the voicing of the chord is especially important and part of the drama, so to speak. Still, many people wouldn't notice the difference because the harmony remains. I think it sounds good that way, too, though beginning the piece with a 2nd-inversion chord might seem a little odd. ![]() G#-C# sliding up to B-E, it would be the same harmony, but with different chord positions. If you played the same tones but inverted, i.e. The Pink Panther is in E minor, and those opening notes as written by Henry Mancini are fifths sliding from C#-G# up to E-B, suggesting a root position E minor chord. ![]() For a fourth, the upper tone is the root. ![]() Are intervals based on the relationship of the tones in an ascending manner?Īnswer: If you play a fifth, the lower tone is the "root" of the implied chord. If played in fifths it's the same tones as fourths, but fourths sounds better (somehow) to me. The Pink Panther intro came up in discussion. If you play the tones B,E together with B as the lower tone the interval is a fourth. Question: If you play two tones E,B together with E as the lower of the two,the interval is a fifth. Fourths, Fifths, and the Pink Panther Fourths, Fifths, and the Pink Panther
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